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Browse the Stage Partners selection of free resources for your classroom or theatre!

Whether you are an actor looking for a new audition monologue, a teacher looking for playwriting exercies, or a teacher looking to enhance the classroom experience, Stage Partners has a wide array of excellent free resources.

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Items 81 - 90 of 95
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  • Margaret Cradmeier‚Äôs Catalogue of Minor Yet Helpful Uncanny Abilities - Stage Partners

    Margaret Cradmeier's Catalogue of Minor Yet Helpful Uncanny Abilities

    Written By: Alan Haehnel
    Length: 25-30 minutes
    Cast Size: 16-30 actors (suggested casting: 3F, 13 any)
    Genre: Comedy
    Synopsis:
    Margaret Cradmeier may not be the easiest person to get along with, but her message about people is ultimately hopeful: We do not need superheroes or magicians to accomplish the important tasks in life; we need people with “myhuas”--minor yet helpful uncanny abilities. With her limited supply of patience and barely-contained temper, Maggie attempts to work with her Ensemble to explain myhuas....
  • Romeo & Juliet & Aliens - Stage Partners

    Romeo & Juliet & Aliens

    Written By: Nick Cantin
    Length: 40-45 minutes
    Cast Size: 10-30 actors (suggested casting: 4F, 3M, 8 any)
    Genre: Comedy
    Synopsis:
    There’s something rotten in Verona High School, students mumble in robotic unison, the faculty keeps talking about “plotting something,” and the janitor…well okay he’s always like that. Nevertheless, resident student conspiracy theorist Benvolia Bobbins takes it upon herself to expose the truth, and uncovers a secret of interstellar proportions! But, of course, that’s all going to have...
  • Morning Announcements - Stage Partners

    Morning Announcements

    Written By: Sonya Sobieski
    Length: 25-30 minutes
    Cast Size: 12-25 actors (suggested casting: 7F, 3M, 4 any)
    Genre: Comedy
    Synopsis:
    Another school day begins, and our seemingly stalwart student heroes are torn between anxiety and apathy. Will Craig ever tell Amber he likes her? Will Marcy convince anyone to help with the school beautification project? Does any of it really matter? Yes! And no! Maybe? A goofy-poignant look at youthful ambivalence and the agonies and ecstasies of teen life. (​If you like 10 Best/Worst Things...
  • The Seven Torments of Amy and Craig (a love story) - Stage Partners

    The Seven Torments of Amy and Craig (a love story)

    Adapted by Don Zolidis from his novel
    Length: 80-85 minutes
    Cast Size: 10-30 actors, gender flexible
    Genre: Dramedy, Comedy
    Synopsis:
    In non-chronological order, Amy and Craig dissect and examine their tortuous first love affair in scenes that are both heartbreaking and hilarious. From their initial coupling on a second trip, to a series of increasingly awful disasters, this scabrously funny play tears apart the idea of true love...and maybe puts it back together again? Based on the bestselling YA novel.
  • I Hate Valentine's Day - Stage Partners

    I Hate Valentine's Day

    Written By: Sonya Sobieski
    Length: 25-30 minutes
    Cast Size: 8-20+ actors (suggested casting: 6F, 4 any)
    Genre: Comedy
    Synopsis:
    February 14th is approaching and it’s Nicole’s least favorite day of the year. After all, Valentine’s Day is a giant money-making scheme that makes people feel inferior and values who you’re with over who you are. Nicole’s friends are determined to find a solution to the candy grams, carnations, and imaginary boyfriends. Perhaps the answer to the madness can be found in…the rainforest?...
  • The Lost Art of Finding - Stage Partners

    The Lost Art of Finding

    Written By: Alan Haehnel
    Length: 25-30 minutes
    Cast Size: 10-30 actors (suggested casting: 15 any)
    Genre: Dramedy, Comedy
    Synopsis:
    Say what you will about Sophie, she is focused. On Something, a crucial Something, and she won't give up until she has It. A pushy salesman, a mob of celebrity hounds, the celebrity himself, even a well-meaning, potential friend will not distract Sophie from her quest. This large cast, gender-flexible one-act will both entertain and intrigue, inviting viewers to question what their particular Some...
  • All The Girls Hate Me at West Haddock High - Stage Partners

    All The Girls Hate Me at West Haddock High

    Written By: A.M. Dittman
    Length: 30-35 minutes
    Cast Size: 6-22 actors (suggested casting: 10F, 2M)
    Genre: Comedy
    Synopsis:
    The one where the boy tries to find a girl who likes him. Always tougher than it sounds. Just ask that guy over there. Or there. Or right there. Or there. And yeah, that guy over there too.
  • Should Not Cause Harm - Stage Partners

    Should Not Cause Harm

    Written By: Mandy Conner
    Length: 30-35 minutes
    Cast Size: 10-25 actors (suggested casting: 7F, 7M)
    Genre: Drama
    Synopsis:
    A spellbinding story of grief and self-discovery, exemplified through a teenage girl's journey from retribution to redemption. Through the flashbacks of the ensemble cast, we learn of a twisted tale of manipulation, heartache, and self-harm...ultimately they discover that relationships in life "should not cause harm."
  • The Girl with the Golden Hand - Stage Partners

    The Girl with the Golden Hand

    Length: 30-35 minutes
    Cast Size: 9 actors (7F, 2M)
    Genre: Drama
    Synopsis:
    Lolo is just your average teenager, until one day she suddenly acquires a Midas-like gift that turns everything she touches into literal gold. Sounds like a dream come true, right? Except she has to wear an oven mitt over her hand at school, her dad is using her as his own personal money mint, and she can’t even hold her boyfriend’s hand without accidentally killing him. With the help of her b...
  • The Pandemic That Didn't Define Them (a monologue play) - Stage Partners

    The Pandemic That Didn't Define Them (a monologue play)

    Written By: Emily Hageman
    Length: 30-80 minutes (Monologues are 5-8 minutes each)
    Cast Size: 4-16 actors (suggested casting: 1F, 15 any)
    Genre: Comedy, Drama
    Synopsis:
    A collection of monologues inspired by the hearts of young people. Each piece feels immediate and intimate as characters wrestle with the timely situations we all face. Some of the monologues are about the pandemic, some aren't, because while our kids lived through a historical event, it's not who they are.
Items 81 - 90 of 95