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Playwriting

  1. A Wind in the Door at The Kennedy Center

    A Wind in the Door at The Kennedy Center

    A Wind in the Door at The Kennedy Center

    A Wind in the Door heroine Meg Murry embarks on an adventure when she learns of a powerful connection between her little brother and the fate of the universe. On our journey to Washington, DC for the premiere of the new stage adaptation of A Wind in the Door, it was clear that some powerful connections had sent us on our adventure, too. All of us at Stage Partners have a strong bond with the work of Madeleine L’Engle: sprawling and intimate, poignant and humorous, her writing is beloved and a new adaptation of her work always gets us excited. You can only imagine our

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  2. Tackling a Historical Play: Writing The Book Women

    Tackling a Historical Play: Rachel Bublitz on Writing The Book Women

    Playwright Rachel Bublitz shares how she approached writing a new play about a real-life group of librarians known as the ‘book women’ who delivered books on horseback to rural communities in Eastern Kentucky during the Great Depression

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  3. It's Her Say: Meet the Playwrights

    IT's Her Say: Meet the Playwrights

    Get to know the playwrights of IT’S HER SAY, the collection of short plays where females take the lead! Stage Partners was able to get some time to talk with a few of these busy teachers. Find out what inspires these teachers/playwrights, learn a bit more about the scripts, and what these writers hope young performers will take away from working on these short plays.

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  4. My Brother's Gift: An Interview with Claudia Haas and Eva Schloss

    My Brother's Gift: An Interview with Claudia Haas and Eva Schloss

    Watch the video of the in-depth discussion about the new play, My Brother’s Gift, with playwright Claudia Haas, collaborator Eva Schloss, and Stage Partners Education Director, Maria McConville.

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  5. Playwright Q&A with Claudia Haas, Author of Dear Anne, From Nina


    Playwright Claudia Haas has written the poignant and beautiful Dear Anne, From Nina based on the pen pal exchange between the Frank sisters and two American sisters in Iowa. Stage Partners Education Director Maria McConville chatted with Claudia to find out how she encountered this story, what inspired her to bring it to the stage, and how she hopes the play will inspire young people to stand up to injustice.


    An Interview with Playwright Claudia Haas:

    MARIA MCCONVILLE: I was fascinated to find out that Anne Frank had, for a brief moment in time, an American pen pal! How did you come across this story? Were you asked to write the Play or did you ask to write the play?

    CLAUDIA HAAS: I saw an article in the BBC about the brief penpal exchange. It sent me on a research mission through google to learn more. When I discovered there was a museum dedicated to the small but important exchange of letters in Danville, Iowa, I knew I needed to pay them a visit. Danville is only about a day’s drive from my home in Minnesota, so it was all just luck that I was able to explore in-person. I had recently come home from a trip to Amsterdam where I visited the Anne Frank House. Seeing the cramped hiding space versus the openness of the farm in Iowa was very poignant. I

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  6. 5 Playwriting Principles from Don Zolidis: Writing More Parts For Girls

    Welcome to our series of Playwriting Principles from Don Zolidis! These mini-lessons about Don's process adapting How To Survive Being in a Shakespeare Play will help you create your own work both on screen and on stage.

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  7. Playwright Q&A with Will Quam, Author of Reunion (After the End of the World)

    Playwright and Teaching Artist Will Quam talks about his new play REUNION (AFTER THE END OF THE WORLD) with Education Director, Maria McConville. Find out Quam’s inspiration for this beautiful full-length drama that explores the resilience of children in the face of the unimaginable.

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  8. 5 Playwriting Principles from Don Zolidis: The Joy of Making Fun of Shakespeare

    Welcome to our series of Playwriting Principles from Don Zolidis! These mini-lessons about Don's process adapting How To Survive Being in a Shakespeare Play will help you create your own work both on screen and on stage.

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  9. Playwright's Guest Blog: Creating Plays For Large Casts


    We asked playwright and Drama teacher, Alan Haehnel, what he looks for in a production of one of his scripts. His new play MARGARET CRADEMEIR’S CATALOGUE OF MINOR YET HELPFUL UNCANNY ABILITIES is a female driven, large cast play that will be an exciting ride for an ensemble of adventurous young thespians. Find inspiration from the playwright himself as you dive in to this one-act comedy.


    Surprise me!

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  10. 5 Playwriting Principles from Don Zolidis: Dealing with the Visual

    Welcome to our series of Playwriting Principles from Don Zolidis! These mini-lessons about Don's process adapting How To Survive Being in a Shakespeare Play will help you create your own work both on screen and on stage.

    Read more »